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| Rani Padmini of Chittor, Rajputana paintings.rajputanas.com |
In ancient Indian texts there are innumerable stories, poems and even dramas, praising the virtuous women and looking upon them as guardians of chastity or virtue. In some places, people compare such women with goddess and build temples of Chasity. Some of them may be biased and replenished to suit the male dominated society, purposely ignoring their invisible frailty. Women's modesty and chastity for some reasons are significant to continue the hereditary line without break, thus retaining the family's ethos and safeguarding children's education
India in the1600s and under their rule, a bizarre and biased custom had been in practice for centuries called ''Sati'' - meaning a widowed woman, irrespective of her age, is expected to get into her husband's funeral pyre - a sort of self-inflicting suicide after his death. Some times force will be used by her kith and kin to push the unfortunate woman into the funeral pyre if she is reluctant. The basic assumption is after her husband's death, the woman, if young, may go astray and spoil family's name.
Though remarriage was possible in the case of young Hindu widow, remarriage of woman was not considered an ideal choice. Either she had to undergo the ordeal of remaining a widow without active participation in family functions till her death or commit sati. It was her choice to choose either of the two. On the other hand if a man loses his young wife and becomes a widower, he can remarry one or more times.What a paradox!!
Anyway, this custom was done away with when the intervention of numerous Indian reformers along with the British who gave them full support.
In the case of Hindu royal families, women's responsibility is more as she has to uphold the trust and good name of the king and his dynasty. In the event of defeat of a king in the war by Muslim rulers, these royal pious women and her dedicated servants will plunge into the towering inferno specially prepared for them. They will rather brook this kind of death than facing the excruciating pain of falling into enemy's hands who will be ready to push them into a harem and treat them as yet another rags of flesh and blood, a target of their pleasure. Such a bad situation gradually opened up for an unfortunate, royal Hindu Rajput queen of wisdom and unparalleled beauty that caught her unawares.
Among the kingdoms of northwest India, Mewar was the most powerful one ruled by Rajput clan. The Rajputs, deeply devout Hindus, were known for their wisdom, bravery and patriotic zeal. They never failed to follow the norms of war and would fight their enemies face to face, There was no back-stabbing that was common among the NW intruders and others.
As for the Muslim invaders from the NW, it was a difficult task for them to break the Rajput clan's hold on their kingdom and the people. The slave dynasty which had been ruling from Delhi wanted to capture the Rajput kingdom. On 28 January, 1303 Alauddin Khilji, the Delhi Sultan started for Mewar to declare war on the ruler
Though remarriage was possible in the case of young Hindu widow, remarriage of woman was not considered an ideal choice. Either she had to undergo the ordeal of remaining a widow without active participation in family functions till her death or commit sati. It was her choice to choose either of the two. On the other hand if a man loses his young wife and becomes a widower, he can remarry one or more times.What a paradox!!
Anyway, this custom was done away with when the intervention of numerous Indian reformers along with the British who gave them full support.
In the case of Hindu royal families, women's responsibility is more as she has to uphold the trust and good name of the king and his dynasty. In the event of defeat of a king in the war by Muslim rulers, these royal pious women and her dedicated servants will plunge into the towering inferno specially prepared for them. They will rather brook this kind of death than facing the excruciating pain of falling into enemy's hands who will be ready to push them into a harem and treat them as yet another rags of flesh and blood, a target of their pleasure. Such a bad situation gradually opened up for an unfortunate, royal Hindu Rajput queen of wisdom and unparalleled beauty that caught her unawares.
Among the kingdoms of northwest India, Mewar was the most powerful one ruled by Rajput clan. The Rajputs, deeply devout Hindus, were known for their wisdom, bravery and patriotic zeal. They never failed to follow the norms of war and would fight their enemies face to face, There was no back-stabbing that was common among the NW intruders and others.
As for the Muslim invaders from the NW, it was a difficult task for them to break the Rajput clan's hold on their kingdom and the people. The slave dynasty which had been ruling from Delhi wanted to capture the Rajput kingdom. On 28 January, 1303 Alauddin Khilji, the Delhi Sultan started for Mewar to declare war on the ruler
According to legend, the more Alauddin heard stories about the mystifying beauty of Rani Padmini, wife of Ratan Singh, the more he became anxious to get her as his consort. Rani Padmini (Padmavati; died 1303 CE), was the queen of Chittor, Mewar, Rajasthan, India the wife of King Rawal Ratan Singh and the daughter of the contemporary Sinhala king. She was the personification of beauty, ideal Indian womanhood and sacrifice. Her great story of beauty and tragedy is commemorated in ''Padmavat,'' an epic poem written by Malik Muhammad Jayasi in Awadhi language in1540 CE.
Because of some family feud in the royal Rajput clan, it is believed, that the Sultan developed keen interest in Rani Padmini at the instigation of King Ratan Singh's jealous brothers.
Upon his arrival at Chittor, Khilji sent a message to the ruler expressing his wish to see the Rani. This was an act of shame and insult to an equally competent ruler and the Sultan's arrogance was quite evident. Smart as he was, Ratan Singh gave in and convinced the queen to see Alauddin. However, she allowed the Sultan to see her on one condition that he could see only her reflection on a mirror to which the Sultan agreed. On seeing the Rani's mirror image, his infatuation grew stronger and Alauddin was determined to get her for his harem at any cost.
On his return to Delhi, the Sultam had Ratan Singh accompany him, using this opportunity, he kidnapped Ratan Singh.
Because of some family feud in the royal Rajput clan, it is believed, that the Sultan developed keen interest in Rani Padmini at the instigation of King Ratan Singh's jealous brothers.
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| Sultan Khilji seeing the mirror image of Rani Padmini'.hindunet.org |
Upon his arrival at Chittor, Khilji sent a message to the ruler expressing his wish to see the Rani. This was an act of shame and insult to an equally competent ruler and the Sultan's arrogance was quite evident. Smart as he was, Ratan Singh gave in and convinced the queen to see Alauddin. However, she allowed the Sultan to see her on one condition that he could see only her reflection on a mirror to which the Sultan agreed. On seeing the Rani's mirror image, his infatuation grew stronger and Alauddin was determined to get her for his harem at any cost.
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| Rani Padmini's palace, Chatisgarh, Rajasthan.travelinfo.com |
On his return to Delhi, the Sultam had Ratan Singh accompany him, using this opportunity, he kidnapped Ratan Singh.
The Songara Chauhan generals Gora & Badal decided to hoodwink the Sultan at his own game and sent back a word that Padmini would be handed over to Ala-ud-din following morning. Next day at the crack of dawn, one hundred and fifty covered palanquins (meant for royal ladies for travel in medieval times) left the fort and made their way towards Ala-ud-din's camps The palanquins stopped before the tent where king Ratan Singh was being held prisoner. On seeing the arrival of covered palanquins purportedly carrying his queen from Chittor, King Ratan Singh was quite perturbed. But to his surprise, stepped out from the palanquins, were not his consort and her women servants, but his own fully armed soldiers, who quickly freed Ratan Singh and galloped away towards Chittor on horses stolen from Ala-ud-din's stables. This getaway happened in a jiff. King's military commander Gora fought bravely against Sultan's soldiers to ease king's safe escape with another leader Badal and during the skirmishes he laid down his life, thus proving his loyalty to his King and his Rajput valor.
Above image: 1963 hit South Indian Tamil film "Chittor Rani Padmini" starring late Chevallier Sivaji Ganesan, Vyjayanthimala, Nambiar & other prominent actors.
Above image: Actress Tejaswini Lonari. Sony's famous TV drama- The Johur of the Queen Padmini of Chittor
After he was outwitted by Rajput warriors and his plan to get the queen went haywire, the Sultan's anger and disappointment knew no bounds. Now he again attracted the king's fort at Chittor with better army. As he was unable to penetrate the huge fort, Ala-ud-din decided to lay siege to the fort. The siege being a long drawn one, supplies within the fort gradually became depleted. As a last resort, King Ratan Singh and his men fought to finish with the besieging troops.
Meanwhile Queen Padmini was worried about the impending danger and safety of her husband and the kingdom because Sultan's army was huge and treacherous. Further, they would not follow the norms of 'just war.' With no other options available to avoid the disgraceful act of falling into enemy's hands Chittor Rani took the extreme step - divine ''Jauhar''(suicide).
The choice was in favor of suicide through Jauhar/ sati practiced by the royal female members of Rajput in case the ruler loses the battle); they would rather face honorable death than be a slave and show girl in Sultan's harem. A huge pyre was lit and followed by their queen, all the women jumped into the flames and committed suicide en masse, thus deceiving lustful Alauddin and his army men who were waiting to devour them.
With their womenfolks turning into a mound of burnning cinder, the mighty Sultan's army now, the victorious Sultan's troops entered the fort amid heaps of dead soldiers, wounded men, wailing and weeping. The sultan's big empire was built on the alter of cross bones and corpses of virtuous Rajput women and brave Rajput men to whom ''a honorable life is worth living.'' Based on.
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| 1963 hit Tamil film Chittor Rani Padmini en.wikipedia.o |
Above image: 1963 hit South Indian Tamil film "Chittor Rani Padmini" starring late Chevallier Sivaji Ganesan, Vyjayanthimala, Nambiar & other prominent actors.
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| Sony's TV drama- The Queen Padmini of Chittor. en.wikipedia.org |
Above image: Actress Tejaswini Lonari. Sony's famous TV drama- The Johur of the Queen Padmini of Chittor
After he was outwitted by Rajput warriors and his plan to get the queen went haywire, the Sultan's anger and disappointment knew no bounds. Now he again attracted the king's fort at Chittor with better army. As he was unable to penetrate the huge fort, Ala-ud-din decided to lay siege to the fort. The siege being a long drawn one, supplies within the fort gradually became depleted. As a last resort, King Ratan Singh and his men fought to finish with the besieging troops.
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| Rajput royal ladies committing ' (sati) en masse to avoid dishonor defence.pk sati; |
The choice was in favor of suicide through Jauhar/ sati practiced by the royal female members of Rajput in case the ruler loses the battle); they would rather face honorable death than be a slave and show girl in Sultan's harem. A huge pyre was lit and followed by their queen, all the women jumped into the flames and committed suicide en masse, thus deceiving lustful Alauddin and his army men who were waiting to devour them.
With their womenfolks turning into a mound of burnning cinder, the mighty Sultan's army now, the victorious Sultan's troops entered the fort amid heaps of dead soldiers, wounded men, wailing and weeping. The sultan's big empire was built on the alter of cross bones and corpses of virtuous Rajput women and brave Rajput men to whom ''a honorable life is worth living.'' Based on.
https://navrangindia.blogspot.com/2015/03/virtuous-queen-and-sultan-rajput-rani.html
http://en.wikipedia.org/wiki/Rani_Padmini
History of chittorgarh - Rani Padmini
http://en.wikipedia.org/wiki/Rani_Padmini
History of chittorgarh - Rani Padmini
