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Located between the Domed Gateway and the Ganagitti Jaina Temple, Bhima’s Gateway stands as a formidable sentinel of the Vijayanagara Empire’s defensive perimeter. As one of the most robust entrances to the walled city, it exemplifies the empire’s military sophistication, blending strategic engineering with the rich mythological tapestry of the Mahabharata.
Historical and Strategic Architecture
Bhima’s Gateway is a quintessential example of Vijayanagara military architecture. Unlike the Indo-Islamic Domed Gateway, this structure adheres to the traditional Hindu trabeate (post-and-lintel) construction, utilizing massive granite blocks.
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The most ingenious feature of the gateway is its "bent-axis" layout. The design ensures that an entrant cannot cross the structure in a straight line. Upon entering through the western arch, a traveler is confronted by a massive blind wall. To exit through the northern gate, one must execute a series of sharp right and left turns. This complexity was intentional, designed to negate the momentum of an invading army’s cavalry charge and trap attackers in a "killing zone" where they were vulnerable to guards stationed above.
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Sculptural and Mythological Significance
The gateway is named after Bhima, the strongest of the Pandava brothers, whose presence was intended to symbolize the gateway's impregnability. A large, heroic carving of Bhima is etched directly into the structure.
The gate is also famous for its narrative murals and bas-reliefs:
The Draupadi Mural: A poignant carving depicts Draupadi tying her hair, a symbolic act of fulfilling her vow after the Kurukshetra war.
The Slaying of Kichaka: Another relief captures Bhima avenging Draupadi’s honor by slaying the commander Kichaka.
These carvings served a dual purpose: they provided spiritual protection to the city and reminded soldiers of the virtues of valor and protection.
Conservation and Tourism
As a monument of national importance, Bhima’s Gateway is managed by the Archaeological Survey of India (ASI). Conservation work focuses on the structural stabilization of the massive granite lintels and the preservation of the delicate murals from environmental erosion. Today, it remains free for the public to visit, offering a unique perspective on the intersection of ancient military science and classical art.
Longhurst, A.H. (1917). "Hampi Ruins: Described and Illustrated."
Archaeological Survey of India (ASI) - Hampi Circle Archives.
Verghese, Anila. "Archaeology, Art and Religion: New Perspectives on Vijayanagara
https://www.karnataka.com/hampi/bhimas-gatwway
https://hampi.in/bhimas-gateway
K.N. Jayaraman